The Sound of Your Cry

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Rating: 4.1 Stars4.1 Stars4.1 Stars4.1 Stars4.1 Stars
Words & Music: Giant/ Baum/ Kaye
The clock by the bed is ticking too loud in the quiet night
I lie in the darkness thinking I must go before it's light
Before you open up your eyes and you beg me to stay
I'll leave 'cause I can't stand to see you hurt this way
Sleep my love as I kiss you goodbye
Then I won't hear the sound of your cry

Though I knew the time was coming and our love would end somehow
I just couldn't bear to tell you exactly just when or how
I know we can't go on, that it was wrong to start
But if you wake up crying now, you know you'll break my heart
Sleep my love as I kiss you goodbye
Then I won't hear the sound of your cry

Sleep my love as I kiss you goodbye
Then I won't hear the sound of your cry

Ohhhh, Sleep my love as I kiss you, kiss you, kiss you goodbye
Then I won't hear the sound of your cry

Ohhhh, Sleep my love as I kiss you
Recorded: 1970/06/04, first released on single


bajo (profilecontact) wrote on May 1, 2020report abuse
Both The Sound Of Your Cry and Fool, open so gently and really show some promise! Whatever happened to Elvis during those overblown ballad years is beyond me. The ending of those two songs ruined my listening pleasure for both. The feel he had for dramatic ballads were blown away by overpower! Sad to say, but The Sound Of Your Cry is not well received by these ears. How on earth could it end up as a single side?
Cruiser621 (profilecontact) wrote on Dec 12, 2018report abuse
2-stars. Not one of my favorites. Way too overblown is an understatement which seemed to prevail during his 1970's output.
Cruiser621 (profilecontact) wrote on Dec 12, 2018report abuse
2-stars. Not one of my favorites. Way too overblown is an understatement which seemed to prevail during his 1970's output.
ElvisSacramento (profilecontact) wrote on Feb 27, 2014report abuse
This is such a tremendous, underrated and overlooked song and Elvis' rendition of it was fabulous. I've never skipped it whenever it's been playing. Five stars from me.
Jerome (profilecontact) wrote on Feb 27, 2014report abuse
Some a whining about that the early takes, such as take 3, is over the top.. But listen to the violins eventually on the master. I think Elvis blowed another tv after listening to the final production...
sugartummy (profilecontact) wrote on May 20, 2013report abuse
Listening to the Master and then take 3, it sounds like another singer. I prefer the Master. Elvis sounds better on that one. A truly beautiful song, sung really strong.
Gorse (profilecontact) wrote on Dec 8, 2012report abuse
Yes take 3 is slightly better than the released master. Contemporary feel for the times which for me started with Kentucky Rain, and a taste I gradually acquired. I also like overblown endings and grandstand finishes so this does for me, a nice production all round.
Biffx (profilecontact) wrote on Jul 27, 2012report abuse
could listen to the first couple of verses of this track all day long unfortunatly it becomes a little overblown at the end. Had the makings of a real gem initially but still ok though.
dgirl (profilecontact) wrote on Jul 27, 2012report abuse
Great song, great melody. That is until the end, where it all gets blown out of proportion.
GEORGE (GK) (profilecontact) wrote on Jul 27, 2012report abuse
I always loved this song. The outake on the boxset "Platinum" is even better ! The emotion, and the power, in his voice, is amazing ! "The sound of your cry" was the "B" side to the song /single "It's Only Love" and both sides should have been huge on radio, but, it wasn't to be, when it was released in 1971.
tornado (profilecontact) wrote on Jun 8, 2010report abuse
I'm leaving was to me a far better choice, much more innovative from that period. Like It's Midnight, among others, the soft part of the begining touches me deeply but the end part is too loud and breaks the charm. Elvis liked to test his voice and in the 70's he really pushed it to the limit wich was great in certain case like Birdge Over Troubled Water, Hurt, Unchained Melody, Tomorrow Never Comes (almost), My Boy... . Power song as I called them. The more it went it's like if he wanted to blow it. I prefer Loving Arms with the sublime peak in the middle and the end quiet and low.
JerryNodak (profilecontact) wrote on Jun 7, 2010report abuse
Love this song. Love those over-the-top, big-voiced ballads Elvis favored in the '70s. I often turn the "repeat" button on.
shoesuedeblues (profilecontact) wrote on Jun 7, 2010report abuse
Take 3 is the recording I mostly listen too, the song is good but not single material I would say.
Sparky (profilecontact) wrote on Jun 7, 2010report abuse
Great track, especially take 3, which really shows the range that Elvis had. His phrasing on the first two verses is astounding. Not so keen on the single, but love the outtakes on this one. Gets 4 stars for take 3!
old shep (profilecontact) wrote on Jun 7, 2010report abuse
I much prefer take 3 of this session, the song is well sung by Elvis and perhaps should have received more recognition.
Pedro Nuno (profilecontact) wrote on Jun 7, 2010report abuse
A great song with Elvis giving a powerful rendition. Obviously I was not thinking of Giant/ Baum/ Kaye, when I wrote my last sentence, I was thinking of Tepper/Bennet.
Rob Wanders (profilecontact) wrote on Jun 7, 2010report abuse
One of my all time favourites. It's such a beautiful melody. The mastertake, that came out as single is superb. I'm not so keen on some outtakes of this song where Elvis is going way over the top. He should have sung it in a lower key (1/2 tone lower), it would have been easier for his voice. Nevertheless the single is fantastic.
NONE000000 (profilecontact) wrote on May 15, 2010report abuse
What a GREAT song! I'd love to hear a live version, but I assume one does not exist, which is a shame. I have heard the criticism that this is "By The Time I Get To Phoenix" rewritten and also that it really needs another verse instead of quite so many "sleeeeeeep, my loooove"s at the end. And yeah, the song's "plot" is the same as "By The Time I Get To Phoenix" and yeah, another verse would have been great. But regardless, this song--as is--is fantastic and deserves to have been heard by more people. Elvis' voice is perfection in this. He nails the big towering parts as well as the intimate opening lines. And the percussion is great as well, mimicking the ticking clock mentioned in line 1. I am sure some will consider this song too over-the-top for Elvis, like "My Boy" or "Sylvia" or "Padre", and while it is certainly in the same vein as those tracks, I love them all and this one especially. I love good ol' rock and roll as much as anybody, but Elvis' voice deserved songs like this sometimes, where he could really knock it out of the park! ("Impossible Dream". "Bridge Over Troubled Water", "My Way" and "Hurt" also fit this mold. Also "Surrender", "Now or Never" and "Heart of Rome". Great songs one and all!)
Deano1 (profilecontact) wrote on Mar 20, 2010report abuse
The most under appreciated Elvis song from the great June of 1970 recording sessions and perhaps his career. This song was released/buried on the flipside of "It's Only Love" in '71 and was not released on a LP until the 1981 LP "Elvis' Greatest Hits" (The "Elvis Aron Presley" eight record set in 1980 that included lost singles even missed it!). Elvis sings this one masterfully and it is much better than "Rags To Riches" and "Where Did They Go, Lord" (another single release in '71). This song deserved a spot on the album "Love Letters From Elvis" or "Elvis Now". It would have been a highlight on either LP.
Lex (profilecontact) wrote on Jan 9, 2009report abuse
One of those songs that I really can hear over and over again.

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